{"id":185,"date":"2012-09-18T15:46:42","date_gmt":"2012-09-18T14:46:42","guid":{"rendered":"http:\/\/www.maisongibert.com\/artreseau\/?p=185"},"modified":"2024-10-14T09:35:27","modified_gmt":"2024-10-14T08:35:27","slug":"185","status":"publish","type":"post","link":"https:\/\/www.mygibert.com\/artreseau\/185\/","title":{"rendered":"CHANGEMENT DE CONTEXTE (5e) s\u00e9quence 1"},"content":{"rendered":"<h1 class=\"western\" align=\"center\"><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: medium;\">CHANGEMENT DE CONTEXTE (5e) s\u00e9quence 2\u00a0<\/span><\/span><\/span><\/h1>\n<h2 class=\"western\"><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: large;\"><u><b><strong>Partie 1<br \/>\nCe que je voie.<\/strong><\/b><\/u><\/span><\/span><\/span><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\"><strong> Observation.<\/strong><\/span><\/span><\/span><\/h2>\n<p><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\"><u><b><strong>Incitation<\/strong><\/b><\/u><\/span><\/span><\/span><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\"><b><strong>: <\/strong><\/b><\/span><\/span><\/span><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\"><strong>Je l\u2019ai dessin\u00e9 tel que je l\u2019ai vu<\/strong><\/span><\/span><\/span><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\"><b><strong><br \/>\n<\/strong><\/b><\/span><\/span><\/span><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\"><u><b><strong>Consignes<\/strong><\/b><\/u><\/span><\/span><\/span><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\">:<br \/>\nObserve un objet de ta trousse, <\/span><\/span><\/span><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\">pose le devant toi, et repr\u00e9sente le<\/span><\/span><\/span><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\">,<br \/>\n<\/span><\/span><\/span><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\">le<\/span><\/span><\/span><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\"> plus fid\u00e8lement possible.<br \/>\n<\/span><\/span><\/span><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\">Tu peux le mettre en couleur ( crayon de couleur).<br \/>\nTente d\u2019ajouter les ombres.<br \/>\n<strong>Temps donn\u00e9<\/strong> : 40 minutes ( le travail est fini \u00e0 la fin de l&rsquo;heure)<\/span><\/span><\/span><\/p>\n<p><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\"><u><b><strong>Contraintes<\/strong><\/b><\/u><\/span><\/span><\/span><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\"><strong> :<br \/>\n<\/strong><\/span><\/span><\/span><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\">Tu dois dessiner \u00e0 la main lev\u00e9e (sans autre outil que ton crayon de papier )<\/span><\/span><\/span><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\"><br \/>\nDessine tout ce que tu vois de cet objet et, <strong>uniquement ce que tu vois.<\/strong><\/span><\/span><\/span><\/p>\n<p><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\"><b><strong>Support<\/strong><\/b><\/span><\/span><\/span><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\">: feuille \u00e0 dessin (24\u00d732). Travail : seul<br \/>\n<\/span><\/span><\/span><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\"><u><b><strong>Crit\u00e8res de r\u00e9ussite (5 points)<\/strong><\/b><\/u><\/span><\/span><\/span><\/p>\n<ul>\n<li><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\">J\u2019ai repr\u00e9sent\u00e9 un objet de ma trousse.<\/span><\/span><\/span><\/li>\n<li><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\">J\u2019ai bien observ\u00e9 pour repr\u00e9senter uniquement ce que je voyais,<br \/>\net non ce que je savais de cet objet.<\/span><\/span><\/span><\/li>\n<li><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\">L\u2019objet est le plus ressemblant possible<\/span><\/span><\/span><\/li>\n<li><span style=\"color: #525252;\"><span style=\"font-size: small;\"><span style=\"font-family: arial, georgia, verdana;\">On peut voir la repr\u00e9sentation d\u2019un volume<\/span><\/span><\/span><\/li>\n<\/ul>\n<hr \/>\n<h2 class=\"western\"><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: large;\"><u><b><strong>Partie 2<br \/>\nChangement de contexte<\/strong><\/b><\/u><\/span><\/span><\/span><\/h2>\n<h2 class=\"western\"><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\"><u><b><strong>D<\/strong><\/b><\/u><\/span><\/span><\/span><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\"><u><b><strong>EMANDE<\/strong><\/b><\/u><\/span><\/span><\/span><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\"><strong> : <\/strong><\/span><\/span><\/span><\/h2>\n<p><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\">Ton stylo, ton crayon de papier, ta gomme, ta paire de ciseaux, ton compas,\u2026<br \/>\ntous ces objets passent leur temps dans ta trousse. L&rsquo;un d&rsquo;entre eux c&rsquo;est \u00e9vad\u00e9.<br \/>\n<\/span><\/span><\/span><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\"><b><strong>Bouleverse son quotidien ! Il n&rsquo;a plus le m\u00eame r\u00f4le, il a chang\u00e9 d&rsquo;identit\u00e9 et de contexte.<br \/>\n<\/strong><\/b><\/span><\/span><\/span><\/p>\n<p><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\"><u><b><strong>Contraintes<\/strong><\/b><\/u><\/span><\/span><\/span><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\"><u><b>\u00a0<\/b><\/u><\/span><\/span><\/span><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\">:<br \/>\n<\/span><\/span><\/span><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\">Modifie le contexte de la repr\u00e9sentation obtenue de ton objet <\/span><\/span><\/span><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\"><b><strong>en lui dessinant,<br \/>\nun contexte inattendu, original, non r\u00e9aliste.<br \/>\n<\/strong><\/b>Vous devez le mettre en couleur<br \/>\n<b><\/b><\/span><\/span><\/span><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\"><u><b><strong>Consignes<\/strong><\/b><\/u><\/span><\/span><\/span><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\"><u><b>\u00a0<\/b><\/u><\/span><\/span><\/span><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\">:<br \/>\nTu peux changer la couleur de l&rsquo;objet de ta trousse.<br \/>\nLa technique de mise en couleur vue en 6e : aquarelle, pastel sec ou gras, crayon de couleur.<br \/>\nVotre feuille est enti\u00e8rement investie : contexte et couleur.<br \/>\n<strong>Temps donn\u00e9<\/strong> : une s\u00e9ance et demie<br \/>\n<\/span><\/span><\/span><\/p>\n<p><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\"><u><b><strong>Crit\u00e8res de r\u00e9ussite (10 points)<\/strong><\/b><\/u><\/span><\/span><\/span><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\"><b><strong><br \/>\n<\/strong><\/b><\/span><\/span><\/span><span style=\"color: #525252;\"><span style=\"font-size: small;\">\u2013 L<\/span><\/span><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\">e but de l\u2019objet dessin\u00e9 est modifi\u00e9.<br \/>\n<\/span><\/span><\/span><span style=\"color: #525252;\"><span style=\"font-size: small;\">\u2013 Le <\/span><\/span><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\">contexte de ton objet est inattendu, original et non r\u00e9aliste.<br \/>\n<\/span><\/span><\/span><span style=\"color: #525252;\"><span style=\"font-size: small;\">\u2013 L<\/span><\/span><span style=\"color: #525252;\"><span style=\"font-family: arial, georgia, verdana;\"><span style=\"font-size: small;\">a couleur accentue l&rsquo;id\u00e9e de changement de contexte et le r\u00f4le de l&rsquo;objet de ta trousse.<\/span><\/span><\/span><\/p>\n<hr \/>\n<h3><strong>Notions<\/strong><\/h3>\n<div>\n<div><span style=\"color: #800000;\"><strong>Ressemblance <\/strong>: <\/span>Rapport entre des objets pr\u00e9sentant des \u00e9l\u00e9ments identiques suffisamment nombreux et apparents.<span style=\"color: #800000;\"><strong><br \/>\nInspiration<\/strong>:<\/span> Elle peut venir de diff\u00e9rentes sources :<\/div>\n<div><strong>Rappel de la s\u00e9quence 1<\/strong> : ma culture personnelle, mes centres d\u2019int\u00e9r\u00eats,<br \/>\nun souvenir, mes humeurs du moment\u2026<br \/>\n<strong>Mais aussi<\/strong> : La forme, la couleur, la taille.<\/div>\n<div><span style=\"color: #800000;\"><strong>Interpr\u00e9tation<\/strong><\/span> : C\u2019est une mani\u00e8re de s\u2019approprier quelque chose<br \/>\n( objets, \u0153uvres \u2026), le refaire \u00e0 sa mani\u00e8re. C&rsquo;est ce qui rend l&rsquo;art vivant et capable d&rsquo;\u00e9volution.<br \/>\nChaque g\u00e9n\u00e9ration ajoutant de nouvelles dimensions aux \u0153uvres du pass\u00e9.<br \/>\nMais \u00e0 l&rsquo;originalit\u00e9 de l&rsquo;interpr\u00e8te, s&rsquo;ajoute celle du spectateur, nul ne recevant l&rsquo;\u0153uvre de mani\u00e8re identique.<br \/>\n<span style=\"color: #800000;\"><strong>Statut de l\u2019obje<\/strong><\/span>t c\u2019est le but de l\u2019objet, sa fonction, ce pourquoi il a \u00e9t\u00e9 cr\u00e9\u00e9.<\/div>\n<div><span style=\"color: #800000;\"><strong>D\u00e9tournement du statut de l\u2019objet\u00a0<\/strong>:<\/span> C\u2019est changer sa fonction,<br \/>\nson but et en lui donnant un autre sens.( Interpr\u00e9tation)<\/div>\n<div><strong><span style=\"color: #800000;\">Fiction<\/span>\u00a0<\/strong>:\u00a0<b>Cr\u00e9ation de l&rsquo;imagination<\/b>\u00a0; ce qui est du domaine de l&rsquo;imaginaire, de l&rsquo;irr\u00e9el imaginaire : qui n&rsquo;existe que dans l&rsquo;esprit, sans r\u00e9alit\u00e9.<\/div>\n<div><strong>\u00a0 \u00a0\u00a0\u00a0\u00a0<\/strong><strong>Style de fiction:<\/strong><\/div>\n<div><strong>\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong><strong>Le fantastique<\/strong> quand le r\u00e9el rencontre le non r\u00e9el. la fiction, <strong>racontant l&rsquo;intrusion du surnaturel dans un cadre r\u00e9aliste<\/strong>, dans un contexte connu du lecteur.<\/div>\n<div><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><strong>H\u00e9ro\u00efque fantaisie<\/strong>\u00a0 Les histoires fantastiques sont centr\u00e9es sur les royaumes mythiques et la magie et de personnage h\u00e9ro\u00efque. Exemple de la cr\u00e9ation personnification de l\u2019animaux magique (Narnia)<br \/>\n<strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Science fiction <\/strong>Les histoires de science-fiction se d\u00e9roulent dans le futur ou dans le pass\u00e9, mais presque toujours dans une dimension diff\u00e9rente de celle du pr\u00e9sent. Elles mettent en sc\u00e8ne de nouvelles r\u00e9alit\u00e9s et de nouveaux univers imagin\u00e9s.<\/div>\n<div><\/div>\n<div><strong><span style=\"color: #ff0000;\"><span style=\"color: #008000;\">METIER DU DESIGN <\/span>PARCOURS AVENIR<\/span><\/strong><\/div>\n<div><strong><span style=\"color: #800000;\">Ergonomie<\/span> :<\/strong><br \/>\nAdapter la forme d&rsquo;un objet pour une meilleur utilisation ( homme machine)<\/div>\n<div><\/div>\n<\/div>\n<div><\/div>\n<hr \/>\n<p><strong><span style=\"font-family: Arial, sans-serif;\">R\u00e9f\u00e9rences\u00a0 artistiques:<\/span><\/strong><strong><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\"><br \/>\n<\/span><\/span><\/strong><\/p>\n<p><a href=\"https:\/\/arthive.com\/fr\/renemagritte\/works\/333257~Thrapeute\"><strong><span style=\"font-family: Arial, sans-serif;\">Ren\u00e9 Magritte,\u00a0<\/span><\/strong><span style=\"font-family: Arial, sans-serif;\">Le th\u00e9rapeute, gouache, 33\u00d727 cm, 1937<\/span><\/a><span style=\"font-family: Arial, sans-serif;\">\u00a0 \u00a0<\/span><strong><span style=\"font-family: Arial, sans-serif;\"> Fait parti du mouvement du surr\u00e9alisme<\/span><\/strong><span style=\"font-family: Arial, sans-serif;\"><br \/>\nImage fiction, d\u00e9tournement du statut de l\u2019objet ( de sa repr\u00e9sentation )<br \/>\nIl devient un corps.<\/span><\/p>\n<p><strong><span style=\"font-family: Arial, sans-serif;\">Ren\u00e9 Magritte<\/span><\/strong><span style=\"font-family: Arial, sans-serif;\">, Les Valeurs personnelles 1952<br \/>\nImage fiction, d\u00e9tournement du statut de l\u2019objet (de sa repr\u00e9sentation)<br \/>\nAmbigu\u00eft\u00e9 de la taille.<\/span><\/p>\n<p><strong><span style=\"font-family: Arial, sans-serif;\">Salvador Dali,\u00a0\u00a0<\/span><\/strong><span style=\"font-family: Arial, sans-serif;\"><a href=\"https:\/\/www.museumtv.art\/artnews\/oeuvres\/la-persistance-de-la-memoire-de-salvador-dali\/\">La persistance de la m\u00e9moire 1931<\/a>\u00a0 \u00a0<\/span><strong><span style=\"font-family: Arial, sans-serif;\">Dans sa p\u00e9riode de surr\u00e9alisme<\/span><\/strong><span style=\"font-family: Arial, sans-serif;\"><br \/>\n<\/span><strong><span style=\"font-family: Arial, sans-serif;\">Fiction onirique (r\u00eave)<\/span><\/strong><span style=\"font-family: Arial, sans-serif;\"> \u00e9voque l\u2019effacement de la m\u00e9moire<br \/>\nCe qu\u2019il persiste ce qui reste de nos souvenirs.<\/span><\/p>\n<p><strong><span style=\"font-family: Arial, sans-serif;\"><a href=\"https:\/\/www.robgonsalves.live\/gallery\">Rob Gonsalves<\/a>\u00a0toute son \u0153uvre<br \/>\n<\/span><\/strong><span style=\"font-family: Arial, sans-serif;\">Fait partie d\u2019un courant artistique nomm\u00e9 <\/span><strong><span style=\"font-family: Arial, sans-serif;\">le r\u00e9alisme magique<br \/>\nFiction <\/span><\/strong><span style=\"font-family: Arial, sans-serif;\">:\u00a0 r\u00e9alit\u00e9 et imaginaire progressive.<\/span><\/p>\n<p><strong>____________________________________<\/strong><\/p>\n<p><strong>________________________________________________________________________________________<\/strong><\/p>\n<p class=\"p1\"><b>REFLEXION ET CONTR\u00d4LE<span class=\"Apple-converted-space\">\u00a0 <\/span>DE CONNAISSANCES<br \/>\n-Explique ta d\u00e9marche artistiques. (4p) <\/b>(processus de cr\u00e9ation et intention)<\/p>\n<p class=\"p2\"><b>&#8211; Vocabulaire: <\/b>(6p)<span class=\"Apple-converted-space\">\u00a0 <\/span><b>Explique les mots :<\/b><br \/>\n&#8211; Fiction<br \/>\n&#8211; Interpr\u00e9tation<br \/>\n&#8211; Statut de l&rsquo;objet<br \/>\n&#8211; D\u00e9tournement du statut de l&rsquo;objet<\/p>\n<p><strong>_<\/strong><strong>_________________________________________________________________________________________<\/strong><\/p>\n<h3>Probl\u00e9matique : Partie 1<\/h3>\n<p>Comment la pr\u00e9cision de l&rsquo;observation influence-t-elle la repr\u00e9sentation d&rsquo;un objet en dessin ?<br \/>\n<strong>Objectif d&rsquo;enseignement<\/strong> : Cette s\u00e9quence permet aux \u00e9l\u00e8ves \u00e0 r\u00e9fl\u00e9chir sur la diff\u00e9rence entre ce qu&rsquo;ils savent d&rsquo;un objet et ce qu&rsquo;ils en per\u00e7oivent visuellement, en insistant sur l&rsquo;importance de l&rsquo;observation directe.<\/p>\n<p><strong>Comp\u00e9tence <\/strong>: Utiliser quelques pratiques conventionnelles du dessin<br \/>\n<strong>Exprimer sa perception du monde<\/strong> :Traduire visuellement la perception d&rsquo;un objet en dessin, en int\u00e9grant les d\u00e9tails observ\u00e9s.<\/p>\n<h3>Probl\u00e9matique : Partie 2<\/h3>\n<p>En quoi le d\u00e9tournement d&rsquo;un objet familier et la modification de son environnement permettent-ils de questionner sa fonction ?<\/p>\n<p><strong>Objectifs d&rsquo;enseignement :<\/strong> Cette s\u00e9quence invite les \u00e9l\u00e8ves \u00e0 r\u00e9fl\u00e9chir \u00e0 la mani\u00e8re dont le changement de contexte et de couleur peut transformer radicalement l&rsquo;interpr\u00e9tation d&rsquo;un objet, en jouant sur l&rsquo;imaginaire et le non-r\u00e9alisme.<\/p>\n<p><strong>PROGRAMME<br \/>\nLa repr\u00e9sentation ; images, r\u00e9alit\u00e9 et fiction.<br \/>\nImage et son r\u00e9f\u00e8rent<\/strong>. Interpr\u00e9tation. Modifier le statut d\u2019une image. Se r\u00e9-approprier une image, la d\u00e9tourner pour lui donner une dimension fictionnelle.<br \/>\n<b>Exp\u00e9rimenter, produire, cr\u00e9er.<br \/>\n<\/b>Choisir, mobiliser et adapter des langages et des moyens plastiques vari\u00e9s en fonction de leurs effets dans une intention artistique en restant attentif \u00e0 l\u2019inattendu. LE DESSIN\u00a0 ET LA COULEUR\u00a0 ( aquarelle, pastels gras ou sec, crayons de couleur)<\/p>\n<p><strong>Comp\u00e9tence LSU<\/strong><\/p>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>E2<\/strong> S\u2019approprier des questions artistiques au travers d\u2019une pratique et d\u2019une re\u0301flexion.<\/p>\n<p><strong>Ces s\u00e9quences (parties 1 et 2)<\/strong> Permettent aux \u00e9l\u00e8ves de developper l&rsquo;imagination, la libert\u00e9 cr\u00e9ative et l&rsquo;interpr\u00e9tation, tout en renfor\u00e7ant l&rsquo;observation et la repr\u00e9sentation graphique.<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><strong>_<\/strong><strong>_________________________________________________________________________________________<\/strong><\/p>\n<p><strong>REFERENCES ARTISTIQUES<\/strong><\/p>\n<p><strong><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">Robert FILLIOU <\/span><\/span><\/strong><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">La Joconde est dans les escaliers, 1969.<\/span><\/span><strong><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\"><br \/>\nInterpr\u00e9tation d\u00e9tourn\u00e9e<\/span><\/span><\/strong><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\"> de la Joconde <strong>vue \u00e0 la mani\u00e8re<\/strong> de l&rsquo;artiste.<\/span><\/span><\/p>\n<p><a href=\"http:\/\/www.mygibert.com\/artreseau\/wp-content\/uploads\/2012\/09\/robert-f-i-l-l-i-o-u19261987-la-joconde-est-dans-l_372487_5b7c28ca5af60.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-3493 size-medium alignnone\" src=\"http:\/\/www.mygibert.com\/artreseau\/wp-content\/uploads\/2012\/09\/robert-f-i-l-l-i-o-u19261987-la-joconde-est-dans-l_372487_5b7c28ca5af60-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.mygibert.com\/artreseau\/wp-content\/uploads\/2012\/09\/robert-f-i-l-l-i-o-u19261987-la-joconde-est-dans-l_372487_5b7c28ca5af60-300x300.jpg 300w, https:\/\/www.mygibert.com\/artreseau\/wp-content\/uploads\/2012\/09\/robert-f-i-l-l-i-o-u19261987-la-joconde-est-dans-l_372487_5b7c28ca5af60-1024x1024.jpg 1024w, https:\/\/www.mygibert.com\/artreseau\/wp-content\/uploads\/2012\/09\/robert-f-i-l-l-i-o-u19261987-la-joconde-est-dans-l_372487_5b7c28ca5af60-150x150.jpg 150w, https:\/\/www.mygibert.com\/artreseau\/wp-content\/uploads\/2012\/09\/robert-f-i-l-l-i-o-u19261987-la-joconde-est-dans-l_372487_5b7c28ca5af60-768x768.jpg 768w, https:\/\/www.mygibert.com\/artreseau\/wp-content\/uploads\/2012\/09\/robert-f-i-l-l-i-o-u19261987-la-joconde-est-dans-l_372487_5b7c28ca5af60-1536x1536.jpg 1536w, https:\/\/www.mygibert.com\/artreseau\/wp-content\/uploads\/2012\/09\/robert-f-i-l-l-i-o-u19261987-la-joconde-est-dans-l_372487_5b7c28ca5af60-58x58.jpg 58w, https:\/\/www.mygibert.com\/artreseau\/wp-content\/uploads\/2012\/09\/robert-f-i-l-l-i-o-u19261987-la-joconde-est-dans-l_372487_5b7c28ca5af60.jpg 2034w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>Ren\u00e9 Magritte, <\/strong>Le th\u00e9rapeute, gouache, 33&#215;27 cm, 1937<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/surrealismepsychanalyse.files.wordpress.com\/2013\/03\/magritte-thc3a9rapeute.jpg\" alt=\"R\u00e9sultat de recherche d'images pour &quot;Ren\u00e9 Magritte, Le th\u00e9rapeute, gouache, 33x27 cm, 1937&quot;\" width=\"363\" height=\"493\" \/><\/p>\n<p>&#8211; <strong>Ren\u00e9 Magritte<\/strong>, La main heureuse, 1953<\/p>\n<p><a href=\"http:\/\/www.mygibert.com\/artreseau\/wp-content\/uploads\/2012\/09\/The-Happy-Hand-La-Main-Heureuse-19531.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1439\" title=\"The Happy Hand La Main Heureuse, 1953\" src=\"http:\/\/www.mygibert.com\/artreseau\/wp-content\/uploads\/2012\/09\/The-Happy-Hand-La-Main-Heureuse-19531.jpg\" alt=\"\" width=\"365\" height=\"280\" srcset=\"https:\/\/www.mygibert.com\/artreseau\/wp-content\/uploads\/2012\/09\/The-Happy-Hand-La-Main-Heureuse-19531.jpg 640w, https:\/\/www.mygibert.com\/artreseau\/wp-content\/uploads\/2012\/09\/The-Happy-Hand-La-Main-Heureuse-19531-300x230.jpg 300w\" sizes=\"auto, (max-width: 365px) 100vw, 365px\" \/><\/a><\/p>\n<p><strong>&#8211; Ren\u00e9 Magritte<\/strong>, La corde sensible, 1960.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/p1.storage.canalblog.com\/11\/47\/1344545\/117017633.jpg\" alt=\"_yartiMagritte04\" border=\"0\" \/><\/p>\n<p>&#8211; <strong>Ren\u00e9 Magritte<\/strong>, Les Valeurs personnelles 1952<\/p>\n<p><a href=\"http:\/\/www.mygibert.com\/artreseau\/wp-content\/uploads\/2012\/09\/Magritte_Valeurs_personnelles_1952_100x70cm.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1440\" title=\"Magritte_Valeurs_personnelles_1952_100x70cm\" src=\"http:\/\/www.mygibert.com\/artreseau\/wp-content\/uploads\/2012\/09\/Magritte_Valeurs_personnelles_1952_100x70cm.jpg\" alt=\"\" width=\"295\" height=\"232\" srcset=\"https:\/\/www.mygibert.com\/artreseau\/wp-content\/uploads\/2012\/09\/Magritte_Valeurs_personnelles_1952_100x70cm.jpg 750w, https:\/\/www.mygibert.com\/artreseau\/wp-content\/uploads\/2012\/09\/Magritte_Valeurs_personnelles_1952_100x70cm-300x237.jpg 300w\" sizes=\"auto, (max-width: 295px) 100vw, 295px\" \/><\/a><\/p>\n<p><strong>Salvador Dali<\/strong><\/p>\n<p>La persistance de la m\u00e9moire 1931<\/p>\n<p><strong><a href=\"http:\/\/www.mygibert.com\/artreseau\/wp-content\/uploads\/2012\/09\/Blog-Images-1.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-3173\" src=\"http:\/\/www.mygibert.com\/artreseau\/wp-content\/uploads\/2012\/09\/Blog-Images-1-300x200.png\" alt=\"\" width=\"475\" height=\"316\" srcset=\"https:\/\/www.mygibert.com\/artreseau\/wp-content\/uploads\/2012\/09\/Blog-Images-1-300x200.png 300w, https:\/\/www.mygibert.com\/artreseau\/wp-content\/uploads\/2012\/09\/Blog-Images-1.png 644w\" sizes=\"auto, (max-width: 475px) 100vw, 475px\" \/><\/a><\/strong><\/p>\n<p><a href=\"https:\/\/creapills.com\/rob-gonsalves-peintures-perception-illusions-20220117\">Rob Gonsalves<\/a><br \/>\n<a href=\"https:\/\/www.robgonsalves.live\/gallery\">Fait partie d&rsquo;un courant artistique nomm\u00e9 le r\u00e9alisme magique<\/a><\/p>\n<p><a href=\"http:\/\/www.mygibert.com\/artreseau\/wp-content\/uploads\/2012\/09\/illusions-optique-peinture-rob-gonsalves-7.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-3174\" src=\"http:\/\/www.mygibert.com\/artreseau\/wp-content\/uploads\/2012\/09\/illusions-optique-peinture-rob-gonsalves-7-300x157.jpg\" alt=\"\" width=\"472\" height=\"247\" srcset=\"https:\/\/www.mygibert.com\/artreseau\/wp-content\/uploads\/2012\/09\/illusions-optique-peinture-rob-gonsalves-7-300x157.jpg 300w, https:\/\/www.mygibert.com\/artreseau\/wp-content\/uploads\/2012\/09\/illusions-optique-peinture-rob-gonsalves-7-1024x537.jpg 1024w, https:\/\/www.mygibert.com\/artreseau\/wp-content\/uploads\/2012\/09\/illusions-optique-peinture-rob-gonsalves-7-768x403.jpg 768w, https:\/\/www.mygibert.com\/artreseau\/wp-content\/uploads\/2012\/09\/illusions-optique-peinture-rob-gonsalves-7.jpg 1200w\" sizes=\"auto, (max-width: 472px) 100vw, 472px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>CHANGEMENT DE CONTEXTE (5e) s\u00e9quence 2\u00a0 Partie 1 Ce que je voie. Observation. Incitation: Je l\u2019ai dessin\u00e9 tel que je l\u2019ai vu Consignes: Observe un objet de ta trousse, pose le devant toi, et repr\u00e9sente le, le plus fid\u00e8lement possible. Tu peux le mettre en couleur ( crayon de couleur). Tente d\u2019ajouter les ombres. Temps [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":188,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,3],"tags":[],"class_list":["post-185","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-5eme","category-myriam"],"_links":{"self":[{"href":"https:\/\/www.mygibert.com\/artreseau\/wp-json\/wp\/v2\/posts\/185","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mygibert.com\/artreseau\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mygibert.com\/artreseau\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mygibert.com\/artreseau\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mygibert.com\/artreseau\/wp-json\/wp\/v2\/comments?post=185"}],"version-history":[{"count":81,"href":"https:\/\/www.mygibert.com\/artreseau\/wp-json\/wp\/v2\/posts\/185\/revisions"}],"predecessor-version":[{"id":3520,"href":"https:\/\/www.mygibert.com\/artreseau\/wp-json\/wp\/v2\/posts\/185\/revisions\/3520"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mygibert.com\/artreseau\/wp-json\/wp\/v2\/media\/188"}],"wp:attachment":[{"href":"https:\/\/www.mygibert.com\/artreseau\/wp-json\/wp\/v2\/media?parent=185"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mygibert.com\/artreseau\/wp-json\/wp\/v2\/categories?post=185"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mygibert.com\/artreseau\/wp-json\/wp\/v2\/tags?post=185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}