{"id":2712,"date":"2022-02-10T16:13:46","date_gmt":"2022-02-10T15:13:46","guid":{"rendered":"http:\/\/www.mygibert.com\/artreseau\/?p=2712"},"modified":"2022-10-11T10:44:42","modified_gmt":"2022-10-11T09:44:42","slug":"ressemblance","status":"publish","type":"post","link":"https:\/\/www.mygibert.com\/artreseau\/ressemblance\/","title":{"rendered":"Ressemblance"},"content":{"rendered":"

<\/h2>\n

Exploration\u00a0\u00a0<\/span><\/span><\/span><\/strong><\/h2>\n

Ressemblance<\/span><\/span><\/span><\/strong><\/p>\n

Demande\u00a0<\/strong>: apr\u00e8s avoir vu la d\u00e9monstration des proportions de dessin d’un portrait r\u00e9alise rapidement une esquisse de cette image, r\u00e9alise un travail au fusain\u00a0 ou au stylo bille ou au pastel sec.<\/span><\/span><\/span><\/p>\n

Contrainte<\/strong><\/span><\/span><\/span><\/strong>:
\nTu ne peux pas cumuler les techniques.<\/span><\/span><\/span><\/p>\n

\u00c9valuation<\/strong><\/span><\/span><\/span><\/strong><\/p>\n

Les proportions sont respect\u00e9es. 2,5\/P
\nle technique apporte une id\u00e9e des volumes 2,5\/P<\/span><\/span><\/span><\/span><\/p>\n

\"https:\/\/www.sylvain-renard.com\/wp-content\/uploads\/2016\/12\/MARTIN-Fabienne-13.jpg\"<\/strong><\/p>\n

 <\/p>\n

Vocabulaire notion<\/span><\/h3>\n

1 La ressemblance et l’\u00e9cart dans l’art du dessin
\n2 Techniques, apport des qualit\u00e9s plastiques du mat\u00e9riel.<\/p>\n

Notions<\/strong> <\/span>:<\/h3>\n
Ressemblance<\/strong> : rapport entre deux objets pr\u00e9sentant des \u00e9l\u00e9ments identiques et
\nassez nombreux (portrait : \u00e9l\u00e9ments du visage)<\/div>\n
Ecart <\/strong>Interpr\u00e9tation entre la r\u00e9alisation artistique ( ici le dessin) et son mod\u00e8le.<\/div>\n
Signature graphique<\/strong> : C’est la mani\u00e8re\u00a0 qu’a l’artiste de retranscrire une image
\npar le dessin.<\/div>\n
<\/div>\n

R\u00e9f\u00e9rences artistiques<\/strong><\/span><\/h3>\n

Ressemblance:<\/strong><\/span>
\n1 Chuck Close<\/strong> Big self portrait 1968
\nMouvement\u00a0 artistique Hyperr\u00e9alisme
\n<\/strong><\/span>Ralph Goings<\/strong><\/p>\n

<\/div>\n
Ecart:<\/strong><\/span><\/strong><\/div>\n
2 Alberto Giacometti.\u00a0\u00a0<\/strong>Portrait d’homme, au stylo noir<\/span>
\nSignature Graphique :\u00a0\u00a0<\/span><\/strong>Il conserve les traits de construction :<\/span> le repentis.<\/span><\/strong>
\nRecherche de l’expression ( angoisse de l’artiste)<\/div>\n
3 Henri Matisse.\u00a0<\/strong>Portrait d’H\u00e9l\u00e8ne Mercier 1938 Au fusain<\/span><\/div>\n
Signature Graphique\u00a0<\/strong> Il recherche l’expression de la douceur,
\npar le travail de trait\u00a0et des volumes<\/span><\/div>\n
\n
<\/div>\n
Apport des qualit\u00e9s plastiques du mat\u00e9riel<\/strong><\/span><\/span><\/div>\n
Les choix volontaire des moyens plastiques par ses deux artistes,
\nservent \u00e0 la recherche de l’expression.<\/span><\/div>\n<\/div>\n

\n<\/strong><\/div>\n
4 Rembrandt.\u00a0<\/strong>Rembrandt aux yeux hagards eau-forte et burin sur papier1 1630
\n\u00a0Recherche des volumes<\/strong> : Travail du trait et cr\u00e9ation des volumes,
\npar la multiplication des traits crois\u00e9s.<\/span><\/div>\n
<\/div>\n
<\/div>\n
R\u00e9f\u00e9rences artistiques :\u00a0<\/strong><\/div>\n

hyperr\u00e9alisme<\/a><\/strong><\/h3>\n

 <\/p>\n

chuck close,\u00a0Big Self-Portrait 1968<\/span><\/strong><\/p>\n

\"\"<\/p>\n

Ying Zhao Liu, peintre chinois<\/p>\n

\"Le<\/p>\n

Raph Goings<\/a><\/p>\n

Rembrandt autoportrait 1630<\/a><\/p>\n

\"https:\/\/ekladata.com\/n1XxruR8wEEYK8v2Ekp6XUQ1IH0.jpg\"<\/p>\n

Edgar Degas, T\u00eate d\u2019homme<\/em>, (\u00c9mile Abadie), 1881, pastel, Mus\u00e9e national de Belgrade<\/p>\n

\"\u00c9mile<\/p>\n

Giacometti, portait d’homme<\/p>\n

\"Alberto<\/strong>\"Alberto<\/strong><\/h2>\n

Rembrandt<\/strong> aux yeux hagards\u00a0eau-forte\u00a0et\u00a0burin\u00a0sur papier1\u00a01630<\/p>\n

\"Une<\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Exploration\u00a0\u00a0 Ressemblance Demande\u00a0: apr\u00e8s avoir vu la d\u00e9monstration des proportions de dessin d’un portrait r\u00e9alise rapidement une esquisse de cette image, r\u00e9alise un travail au fusain\u00a0 ou au stylo bille ou au pastel sec. Contrainte: Tu ne peux pas cumuler les techniques. \u00c9valuation Les proportions sont respect\u00e9es. 2,5\/P le technique apporte une id\u00e9e des volumes […]<\/p>\n","protected":false},"author":2,"featured_media":2716,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,12],"tags":[],"class_list":["post-2712","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-4eme","category-5eme"],"_links":{"self":[{"href":"https:\/\/www.mygibert.com\/artreseau\/wp-json\/wp\/v2\/posts\/2712","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mygibert.com\/artreseau\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mygibert.com\/artreseau\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mygibert.com\/artreseau\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mygibert.com\/artreseau\/wp-json\/wp\/v2\/comments?post=2712"}],"version-history":[{"count":31,"href":"https:\/\/www.mygibert.com\/artreseau\/wp-json\/wp\/v2\/posts\/2712\/revisions"}],"predecessor-version":[{"id":3384,"href":"https:\/\/www.mygibert.com\/artreseau\/wp-json\/wp\/v2\/posts\/2712\/revisions\/3384"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mygibert.com\/artreseau\/wp-json\/wp\/v2\/media\/2716"}],"wp:attachment":[{"href":"https:\/\/www.mygibert.com\/artreseau\/wp-json\/wp\/v2\/media?parent=2712"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mygibert.com\/artreseau\/wp-json\/wp\/v2\/categories?post=2712"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mygibert.com\/artreseau\/wp-json\/wp\/v2\/tags?post=2712"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}